Lucas Versantvoort / 26 Aug 2015
Another year, another Woody Allen film. I'm not the
most avid Allen fanatic, so you'll have to take my opinion with a pinch of
salt. I skipped last year's Magic in the Moonlight, so the last Allen film I
watched was Blue Jasmine. Although Irrational Man is a cut above that cinematic
train wreck, I'm still unsure what to think of it.
Professor Abe Lucas (Joaquin
Phoenix) is a new Philosophy professor at Braylin College in New England. All
the students and teachers hotly anticipate his arrival, curious to see if the
rumors about this mysterious new figure are reflected in his looks and
personality. This includes student Jill Pollard (Emma Stone). He arrives, all
depressed, sick of life, and talks about Kant, moral imperatives, truth, lies,
etc. He also says much of philosophy is verbal masturbation. He develops a bond
with Jill and they eventually overhear a woman sitting in a diner with her
friends, crying over the fact her no-good ex-husband will probably get custody
of her kids due to a rotten judge. Suddenly, Abe has an idea. He'll rid the
world of the judge, so the mother has a fair chance of getting custody of her
children. Feeling confident his plan is morally right, his existential crisis
takes a backseat to his newfound joy in life. But will he succeed? And if he
does, what then?
If Irrational Man has a central
flaw, it's undoubtedly the opening 20-30 minutes or so, when everything and
everyone has to be introduced. It's so painfully boring watching Allen set up
the major themes of the film. 'Gee, I wonder if the content of Abe's lectures
will be reflected in the rest of the story?' Also, it's so obvious that Jill
will have an affair with Abe (even though she has a boyfriend), I just wanted them
to get together already, so the predictable part would be over.
Once all these preparations have
been made, however, the film's actually quite interesting and fun, probably
more fun than interesting in the end. Watching him lecture on moral imperatives
and so on, only for him to consider killing a human being 'morally justifiable'
is pretty funny. One moment he's paraphrasing Kant, about a world completely
without lies, the next he's lying to Jill.
One of the best things about
Irrational Man is the emotional distance with which Allen films the entire
thing. It's basically a ridiculous tragicomedy about a depressed philosophy
professor committing murder with a sense of righteousness who's struck down by
fate (or was it chance?). Although this way of filming makes it harder to feel
drawn to any of these characters (despite the actors' best efforts and Allen's
use of voice-overs), it ultimately makes for a funnier film, especially in
retrospect. If only I could say the same for the actual jokes...
And that's how I'd sum up my
feelings toward Irrational Man: a bit too emotionally distant to completely
enjoy, but an enjoyable tragicomedy nonetheless.
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