Il y a longtemps que je t’aime (2008) Review

Lucas Versantvoort / June 30, 2013

Spoilers!

How does one return to family, friends and life in general after spending 15 years in prison? Are the people you remember still the same? Are you still the same to them? And how do you go about trying to rebuild your life? Il y a longtemps que je t’aime is a very thoughtful film on these very topics.

            Juliette (played with a subtle intensity by Kristin Scott Thomas) has just been released from prison and goes to live with her younger sister, Léa. We sense both warmth and distance between them when Léa picks her up from the airport. The film then focuses on slowly developing their bond and Juliette’s troubles in navigating daily life which, of course, includes things like job applications and going out.

            The ways in which Juliette’s relation to society is troubled by her history are incredibly varied: in many situations she feels it is best if she doesn’t speak about it. When she does, however, she is either shown a look of disgust or ridiculed by a group of people who thinks she’s joking. This is the main strength of the film: showing, in a slice-of-life manner, the many ways her past haunts the present as she tries to rebuild her life.

            This also brings us to what might be one of its (few) faults: pacing. The flow of the film is perfectly suited for its subject matter, but any ‘slow’ film also brings with it the risk of boring its audience. For me, this was not the case as I found the pace befitting the way Juliette has to cope with the world on a daily basis. Your mileage may vary.

            One last thing that got me thinking is the decision to go with the theme of a ‘mercy killing’, which must have made it easier for this film to work. It’s the same with the tv-show Dexter which would be unwatchable if Dexter wasn’t compelled by the Code of Harry to only kill criminals or those who ‘deserve’ it. At the same time I recognize that this wouldn’t really have changed the nature of Il y a longtemps que je t’aime, since in both cases it would still be about a society highly unable to cope with someone like Juliette. What would change is the audience: I think it would be impossible for the audience to relate to Juliette had it not been a mercy killing. Speculation aside, this is a film all about the day-to-day interactions between Juliette and the people around her and how both parties cope with each other and if you’re prepared for the purposefully slow tempo, then you’ll most likely find it a very moving experience.